*N6450 .M2
|
Nineteenth century art / |
1 |
*N6450 .P75 2003
|
A private passion : 19th-century paintings and drawings from the Grenville L. Winthop Collection, Harvard University / |
1 |
*N6450 .S99
|
Neo-classicism and romanticism / |
1 |
*N6465.B5 B542 2006
|
Biedermeier : die Erfindung der Einfachheit / |
1 |
*N6465.B5 W56 2006
|
Biedermeier: the invention of simplicity / |
1 |
*N6465. I4 D46 1991
|
Impressionism : the painters and the paintings / |
1 |
*N6465.I4 G69 1988
|
Het impressionisme en het fauvisme in België / |
1 |
*N6465 R6 .C5913
|
Romanticism / |
1 |
*N6465 .S9 G5313 1988
|
The symbolists / |
1 |
*N6465.S9 G5314 1994
|
Le symbolisme / |
1 |
*N6465.S9 S56 2007
|
Il simbolismo : da Moreau a Gauguin a Klimt / |
1 |
*N6487 .C3 .M375
|
The MIT art collection. |
1 |
*N6487 C52 .C533 1982
|
Art 1982 Chicago, Navy Pier, May 13-18, 1982. |
1 |
*N6487.D35 W37 2014
|
Parallel views : Italian and Japanese art from the 1950s, 60s, and 70s / |
1 |
*N6487.L64 F745 2007
|
Frederick R. Weisman Art Foundation collection. |
1 |
*N6487.L67 M8864 2008
|
This is not to be looked at : highlights from the permanent collection of the Museum of Contemporary Art, Los Angeles / |
1 |
*N6487.M68 M55 1993
|
International critics' choice : an exhibition / |
1 |
*N6487 .N34 .Y349 1984
|
The Société Anonyme and the Dreier bequest at Yale University : a catalogue raisonné / |
1 |
*N6487.N4 M836 1989
|
Twentieth century modern masters : the Jacques and Natasha Gelman collection / |
1 |
*N6487 .N5 .E9
|
Some more beginnings : an exhibition of submitted works involving technical materials and processes : organized by staff and members of Experiments in Art and Technology, in collaboration with the Brooklyn Museum and the Museum of Modern Art, New York. |
1 |