N8243.S62 S36 1992
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Green acres : neo-colonialism in the U.S. / |
1 |
N8243.S65 C66 1991
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Compassion and protest : recent social and political art from the Eli Broad Family Foundation collection : June 1-August 25, 1991, San Jose Museum of Art. |
1 |
N8243.S65 S36 1992
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Green acres : neo-colonialism in the U.S. / |
1 |
N8248.S7 J6 1986
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Vor Augen : Formen, Geschichte und Wirkungen der Brille / |
1 |
N8248.S72 D47 2010
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Design Im Zeitalter der Geschwindigkeit. |
1 |
N8248.S74 D45
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Die Sphinx : Geschichte ihrer Darst. von d. Anfängen bis zur Gegenwart / |
1 |
N8248.S76 S64
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Spiralen & [i.e. und] Progressionen : Robert Filliou ... : Turm zu Babel : peruanische Erdzeichnungen : Palast der Eingeweide : [Ausstellung], Kunstmuseum Luzern, [16. März bis 20. April 1975 : Katalog]. |
1 |
N8248.S77 C78 1998
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Beyond belief : modern art and the religious imagination / |
1 |
N8248.S77N45 2007
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The Spirit of Secular Art : A History of the Sacramental Roots of Contemporary Artistic Values. |
1 |
N8248.S77 O8 1994
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Gebed in schoonheid : schatten van privé-devotie in Europa, 1300-1500 / |
1 |
N8248.S77 O84 1994
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The art of devotion in the late Middle Ages in Europe, 1300-1500 / |
1 |
N8248.S77 P47 2000
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Intimate rituals and personal devotions : spiritual art through the ages / |
1 |
N8248.S77 S33p 2005
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Seeking transcendence : Edvard Munch, Mark Rothko, Ann Hamilton, Robert Irwin, Wolfgang Laib. |
1 |
N8248.S8 D46
|
Die Sphinx : Geschichte ihrer Darst. von d. Anfängen bis zur Gegenwart / |
1 |
N8250 .A45 2011
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Afield in America : 400 years of animal & sporting art. |
1 |
N8250 .B3 *
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Sport in art ; an iconography of sport during four hundred years from the beginning of the fifteenth of the end of the eighteenth centuries / |
1 |
N8250 .B352p
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Sporting art from Maryland collections ; [exhibition], the Baltimore Museum of Art, November 27 to December 31, 1960. |
1 |
N8250 .B6
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Sport in American art. : Museum of fine arts, Boston / |
1 |
N8250 .B6p
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Sport in American art. : Museum of fine arts, Boston / |
1 |
N8250 .B74p 1995
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British sporting art : 11 April-2 July 1995, Tate Gallery. |
1 |