The early modern cultures of Neo-Latin drama /
The essays in this collection all illustrate the vitality of Neo-Latin drama in early modern Europe, arising from its productive combination of classical models with deep-rooted vernacular traditions. While the plays were often composed in the context of a school or university setting, the dramatist...
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| Format: | Electronic Conference Proceeding eBook |
| Language: | English |
| Published: |
Leuven :
Leuven University Press,
2013.
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| Subjects: | |
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Full text (MFA users only) |
| ISBN: | 9789461661289 9461661282 |
| Local Note: | ProQuest Ebook Central |
MARC
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| 111 | 2 | |a Symposium of the Cambridge Society for Neo-Latin Studies |d (2007) | |
| 245 | 1 | 4 | |a The early modern cultures of Neo-Latin drama / |c edited by Philip Ford and Andrew Taylor. |
| 264 | 1 | |a Leuven : |b Leuven University Press, |c 2013. | |
| 300 | |a 1 online resource (224 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Supplementa humanistica Lovaniensia ; |v XXXII | |
| 500 | |a International conference proceedings. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The Early Modern Cultures of Neo-Latin Drama; Copyright; Table of Contents; Introduction; Ravisius Textor's School Drama and its Links to Pedagogical Literature in Early Modern France; George Buchanan's Sacred Latin Tragedies Baptistes and Iephthes: What Place for Humankind in the Universe?; The Dramatisation of Contradiction; Some Elements of Traditional Ethics; Elements of Pagan Ethics; The Stamp of Christian Ethics; What Place for Humankind in the Universe?; Appendix: Summaries of Both Tragedies. | |
| 505 | 8 | |a La Traduction de Tragédies Grecques: Alessandro Pazzi de' Medici et Les Problèmes Liés à la MétriqueJohn Foxe's Apocalyptic Comedy, Christus Triumphans; Lambertus Schenckelius's Tragoedia(e) Sanctae Catharinae; Balthasar Moretus's Account of Schenkelius's Tragoedia Sanctae Catharinae; The Tragoedia Sanctae Catharinae Preserved in Mechelen; Conclusion; The Terentius Christianus at Work: Cornelius Schonaeus as a Playwright. | |
| 505 | 8 | |a School Progymnasmata and Latin Drama: Thesis, Refutatio, Confirmatio and Lausin the Dialogue on the Conception of Our Lady (1578) by the Spanish Jesuit Bartholomaeus Bravo (1553 or 1554-1607)Performing in Latin in Jesuit-Run Colleges in Mid- to Late-17th-Century France: Why, and with What Consequences?; Introduction; Town Colleges in Seventeenth-Century France: Jesuits between Town and Crown; Town: Civic Obligations; Gown: Pedagogical Imperatives; Implications: Reception and Influence of Neo-Latin Drama in Late-Seventeenth-Century France. | |
| 505 | 8 | |a Similarities, Dissimilarities and Possible Relations between Early Modern Latin Drama and Drama in the VernacularIntroduction; Differences; Connections and Similarities; The theme of Everyman; The theme of King David; Conclusion; An Ignoramus about Latin? The Importance of Latin Literatures to George Ruggle's Ignoramus; 1. Introduction; 2. The Problem; 3. A Solution?; 4. Individual Lines; 5. Writing, Writers, Reading and Learners; 6. Sentiments and Sections; 7. Conclusion; 'Et Spes et Ratio Studiorum in Caesare Tantum': Robert Burton and Patronage. | |
| 505 | 8 | |a Simon Rettenpacher's Comedy Votorum Discordia'The Unacknowledged Legislators of Mankind': Greek Playwrights as Moral Guidance to Hugo Grotius's Social Philosophy; The Private Sphere; The Public Sphere; Laws of War; Index Nominum; Humanistica Lovaniensia; 1. Bibliographical References; 1.1. First Reference; 1.1.1. References to Books; 1.1.2. References to Articles in Journals; 1.1.3. References to Articles in Books; 1.1.4. References to Theses and Dissertations; 1.1.5. References to Manuscripts; 1.2. Later References; 2. Lay-out; 2.1. Quotations; 2.2. Footnotes. | |
| 520 | |a The essays in this collection all illustrate the vitality of Neo-Latin drama in early modern Europe, arising from its productive combination of classical models with deep-rooted vernacular traditions. While the plays were often composed in the context of a school or university setting, the dramatists seldom neglected the need to appeal to a broad audience, including non-Latinists. Yet the use of Latin, and the ambiguity of a plurivocal literary form, allowed the authors of these plays to introduce messages and ideas which could be subversive of the prevailing political and religious authoritie. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central University Press Subscription | ||
| 650 | 0 | |a Latin drama, Medieval and modern |x History and criticism |v Congresses. | |
| 700 | 1 | |a Ford, Philip, |d 1949-2013, |e editor. |1 https://id.oclc.org/worldcat/entity/E39PBJp9wXwcD7fJRhJqqV8Bfq | |
| 700 | 1 | |a Taylor, Andrew, |d 1964- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjvJg3Cm4R3KDvCgCbrCkP | |
| 710 | 2 | |a Cambridge Society for Neo-Latin Studies, |e sponsoring body. | |
| 776 | 0 | 8 | |i Print version: |a Symposium of the Cambridge Society for Neo-Latin Studies (2007). |t Early modern cultures of Neo-Latin drama |z 9789058679260 |w (DLC) 2013373762 |w (OCoLC)830293964 |
| 830 | 0 | |a Supplementa humanistica Lovaniensia ; |v 32. | |
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